Tag: michael grade

Risk Taking in British Television

It’s interesting to read an article by BBC Controller Kim Shillinglaw looking for something “disruptive” and “anarchic” along the lines of SNL, The Tonight Show etc. The type of programming to go against the grain of the current crop of panel shows and other esoteric light entertainment containing mainly middle class presenters. Something “edgy” and “different” to break the current stale bland schedules. Clearly these guys want something to bring back they youth and make terrestrial television Kool again. Anyone old enough can shout out Def 2

From my experience of keeping my ear to the ground I find the same thing being echoed down the halls of commissioners’ offices. They ask for something different but get the same-old-same-old as it is a safe bet. Sometimes they take the same-old-same-old and try to sell it as a completely different beast. That’s why the same panel shows are commissioned with minor tweaks to the style but sold as bold new formats.

They all seem to have HBO / Lorne Michaels envy and want to find TheNextBigCulturalThing to add to the WaterCoolerTalkingPoint. The problem I see is that the established production companies have a stranglehold on the commissions so the pool for innovation is smaller. If you want something disruptive you need to find the right people who are not corporatized by the standards of television and actually bring in something fresh that reflects society now.

Also do these people know what the term “disruptive” actually means? What they want doesn’t seem like it will disrupt the media ecosystem, especially when it is to be shown at 10pm on BBC 2. Netflix disrupted the business model of waiting each week for the next episode by releasing all 13 parts of House of Cards in one go. That is the term used correctly here. I will let is slide as people love buzzwords like Zeitgeist.

Personally and again this is due to my peculiar taste but the last fresh original anarchic programmes were Nathan Barley and Tramadol Nights. I believe the latter was the last time something so funny and controversial was screened across the airwaves. Granted you can shout out that Toast of London is very funny but I wouldn’t say it’s groundbreaking, just a very funny series.

Commissioners want to discover the next Monty Python and bask in the glory of leaving a televisual legacy and if these people really want to think out of the box they need to talent spot people outside of the safe pool of comics and writers and start developing them. And I don’t mean box ticking. Real risk taking like Lorne does with assembling the writers.

Yes I know the Diversity debate rolls on and people are probably sick to death of hearing about it but compare SNL which has a diverse cast compared to British television. One only has to look at the oft mentioned british exodus to America, look at Armando Ianucci’s, success with his show. The HBO model was to get the talent and leave them alone and have some sort of faith. It worked for them.

As legend has it Only Fools and Horses only starting becoming a ratings grabber after series 3 but nowadays they feel they need to hit the ground running.

Essentially,widen the talent pool and you will be surprised what you will uncover. Be inclusive, not exclusive

Film pitch: Writing from an armchair

 

Read the above synopsis! It’s from an already released movie (albeit straight to DVD). Dull right?

Now, i am trying to write an elevator pitch to sell my film idea and everywhere i read it says that this my be as airtight as an astronaut’s bumhole. That i understand as i have to sell it to people with a 5 second attention span which leads me back to this curious piece of salesmanship.

If this was presented as a film pitch i am sure the writer would get a punch in the face from the Studio Head unless the pitcher of this was David Mamet then you know it’s backed up with talent. Peter Kaye (equally talented) is doing that with Car Share about (wait for it!) two people who car pool to work.

Being famous is no reason to be complacent… oui?

General Levy is making a comeback

 

Everyone knows as a one hit wonder General Levy would be the best person to make a cameo in the famous stage play. This kind of wacky casting  coup can energise the normally staid theatre production and breathe life into the oh-so boring scene.