Sayonara Screendaily 

 

In 1991 I worked for a media company that had a stash of Screen International weekly magazines so I rifles through them during my break. As i was started out in the industry i became fascinated and found this trade magazine a really informative read. Since then I have never missed an issue and it was and still is the only place to see the movers and shakers in the European Film Industry, Variety and the other trades are more US-centric and i never really liked that wacky style of writing and the fractured articles dotted all over was rather stupid.

Then Screen lead the charge of going online and the site was one of the first digital subscriptions I purchased but slowly the site started to be generic puff pieces and a portal for productions to promote their companies and slates. All I started reading at the tail end of these was press that ended with “we look forward to working with so and so who is a visionary”. Any kind of reportage i enjoyed as pretty much evaporated and you know it’s coming to an end when it’s a chore to read the headlines daily. I will say in defence that the festival reporting is spot on and very good but is it enough for me to carry on subscribing?

Things have changed and now i read Variety, LaTimes/ Company Town which went through a digital changeover and i catch up with news from these sites and occasionally from Screen.

April 2015 I have cancelled my subscription which is a shame  but will resubscribe when improvements and investments are made in quality journalism.

Quota Films The British Film Industry

So all the rumours of elitism and cronyism within the british film industry are true as per the evidence introduced in the doc I saw at The Prince Charles Cinema recently.

Quota Film’s The British Film Industry: Elitist, Deluded or Dormant is an eye-opening look at this incestuous disease that is deep rooted in the British Film Industry. Let’s be honest it’s like any institution whether it is the Banks or the BBC and the cronyism at the top level keeping the top jobs within their gene pool.

And to think with all this talk of diversity and closing the class divide, the industry is at a low point for people who want an entry. Don’t take my word for it, many news articles are pretty much saying the same thing where the BAME and working class actors/ filmmakers are increasingly shut out. All the advances in the 80’s with Channel 4’s brave agenda have pretty much gone with television preferring safe programming which is why you won’t see many real ground breaking films.

One other not-very-surprising-in-hindsight issue is conflict of interest with some Regional Film Council heads diverting funds into THEIR OWN production companies. Isn’t that a teensy bit illegal? When one has a privileged position they shouldn’t be able to line their own pockets but then again why am I surprised? All these initiatives need overhauling and even with the demise of the Film Council and the BFI taking over, we shall see if they step up to the plate.

As someone who reads a lot about the British Film Industry, this is a fine companion to Icons on Fire: The Decline and Fall of Almost Everybody in the British Film Industry by Alexander Walker where the few people in power totally screwed it for everyone else. Shame really as there is an abundance of talent out there waiting to be recognised. At least for the ones that haven’t hoofed it to the States.

The main reason I found this eye opening and writing from a personal level, I applied to a great many funding bodies over the years and had I known then what I do now I wouldn’t have bothered. What’s the point if the cards are marked against you? What is the real point if the funds are going to their friends? Energies are best spent going after private funds like Kickstarter, especially if you are far from privileged or connected.

I know there are some people who will shout Kidulthood but these are in the minority (pun city!) and more films such as this should be championed. All said and done the shining light in all this (among a slim few) is Warp films making truly British films and creating a filmic legacy that will last years. What is needed is more of that.

The roll call of respected Industry Professionals that have been interviewed is impressive and all speak of the problem and this documentary is one big action plan for change.