Tag: kill bill

Write Like Tarantino

So, one of the many chintzy spam-lite emails I get tells me that with a simple modest payment I can write in the same style as Tarantino, well for the first 15 pages at least.

I can understand why they are selling this concept as his films are unique but why would you want to be a writer turned Tarantino-lite hack?
Why emulate his work when every teacher tells you to find your own voice? Certainly watch his films and read the screenplays (as I have done) but only to see how he has structured his film for himself. It’s hardly the bench mark of structure much like Robert Towne’s work due to their unique styles.

It’s true that people want to read scripts that they can relate to as a hit movie but they also crave originality and scams such as this drive you away from getting your unique voice out there. Look at even the populist genre movies and you can see the writer’s personality is embedded in it. Yes, even Lethal Weapon!

Quentin has had a long B-Movie cinematic education which has developed his writing and for you to do the same thing will make a sub par rip-off script which people will say “it’s like Pulp Fiction/ Reservoir Dogs but a little bit shitter and it’s quite cheeky for someone to sell you a product that is pushing you away from originality and going towards conformity.

We are all influenced by great writers but don’t let it drown out what you want to write. Read a few film books, learn structure and narrative and go ahead and write. It really is that simple.

The Tarantino Thought Process and Context

The title sounds like a dry thesis but it’s something that bothered me to actually think about further.

When I originally watched Kill Bill and got to the animated sequence I thought it was an interesting style for the film and lent a surreal bent to the revenge flick but when I watched Guy Ritchie’s film,I plainly saw it as a stylistic rip off badly done which is fair enough with lesser talents but then I got thinking about the context.

In Tarantino’s film, animation was used to show the sub plot, which couldn’t be filmed as live action due to the underage scenes and would have been otherwise tasteless and plainly unfilmable. Making it in the style of a Manga cartoon bypassed the controversial subject matter to keep the story flowing without it becoming a controversial distraction.

Now Guy Ritchie missed this point and simply saw it as a stylistic choice and in my mind it made for a very shallow sequence in a very shallow film running on empty. There was no reason for Mrs Madonna to blatantly steal the idea apart from the fact that it was ’kool’ like the opening of Steve McQueen’s Bullitt.

A good director should have thought out each sequence  to help push the story forward and have reason to film it a certain way so next time you watch a film by a good director, ask yourself why he did it that way….

A good director always has an reason to use a particular style and Tarantino, Polanski et al would be proud of you.